The Scientia Institute recently hosted a “Betterment of the World” lecture given by Fay Yarbrough and Caleb McDaniel. They showed the connections between Houston’s Black Fourth Ward community and the early Board of Trustees, who attempted to force people to sell their land. It’s important historical work that was made possible by some of our materials.
If you’d like to learn more, the lecture is now available online.
When we have smaller VHS digitization jobs (a collection with 10 or fewer tapes), we can digitize them in-house. We use our laptop, VHS/CD combo player, RCA cable, and a program called Power Director. The output is a mpg video file that we convert to an mp4 using Handbrake.
Right now, I’m digitizing a live performance of The Mighty Orq playing at the Artery on January 4, 2008. The video is from the Houston Blues Society records, which are almost fully processed and ready for research.
Within the boxes of the Houston Blues Society records is a snapshot of the world of regional U.S. blues and music-related newsletters.
This grouping of newsletters mainly hails from the mid-to-late 1990s. They offer a glimpse into how the medium fulfilled a need to spread information about performances and engage with small audiences in the years before its generation of readers fully embraced email, message boards, and/or websites. It’s also interesting how many different types of blues societies exist/ed and how many of them loved the name “Blues News.”
The Houston Blues Society records will be fully processed in the couple of weeks.
Here’s a blog post from Fondren’s Lauren DuBois, Special Collections Librarian, and Jeanette Sewell, Database and Metadata Management Coordinator.
One of the best parts about the Gilbert Morris Cuthbertson Collection of Rare Books and Manuscripts is finding related items tucked in the pages of his books! We’ve found bookmarks, photographs, receipts, electric bills, letters, stamps, scraps of paper, and so much more.
Last week, we stumbled upon this catalog for Raid the Icebox I: a 1969-1970 exhibit featuring items selected by Andy Warhol from the storage vaults of the Museum of Art at Rhode Island School of Design (RISD). Warhol was invited to curate the exhibition by Dominique and Jean de Menil, founders of the Institute of the Arts and the Media Center at Rice. The exhibition opened here and then traveled to The Isaac Delgado Museum in New Orleans, finally ending in Providence at RISD.
Raid the Icebox I catalog & ephemera in front of the Andy Warhol Tree on Rice Campus / photo by Jeanette Sewell
Between the pages of Doc’s copy of the catalog, we found: 1) Andy Warhol’s signature on the title page (!) 2) One Raid the Icebox I exhibit tag published by the Institute for the Arts at Rice 3) Two small postcards announcing the exhibition dates and hours here on campus 4) One large postcard inviting Doc C to attend the exhibit preview 5) One Winter 1969 newsletter addressed to Doc C, detailing the new art center and community response to the new Institute space and Raid the Icebox I exhibit at Rice
Postcards, newsletter, tag, and signature found within the exhibit catalog
Like all of our rare books in the collection, this catalog and accompanying items will be available for viewing only in the reading room at the Woodson Research Center. Just reach out to one of our archivists to schedule an appointment.
You can learn more about this special exhibit on the RISD website here and find a related essay about Warhol’s art at BEST Products’ Indeterminate Façade store here. Happy reading!
We will eventually have Public News in our repository, but now you can view 88 issues from the first three years of the publication via The Portal to Texas History.
As part of the same grant, UNT has helped us digitize a variety of newsletters and papers, including:
In the Marguerite Johnston Barnes Research Materials for Houston, The Unknown City, 1830-1991 (MS 455), there is a box of multiple editions of The Aegis, a publication created by Houston High School, later known as Central High School, and now named Sam Houston Math, Science, and Technology Center.
The yearly publication is filled with ads for a variety of things, many that would not appeal to high school students. Let’s take a tour of Houston ads from 1909-1911.
A couple of weeks ago Sandy Hickey and Jomonica Phoenix invited me out to a container unit that had the archives of the Houston Blues Museum. One collection in the unit belonged to Big Walter “The Thunderbird” Price. Years ago, it was retrieved by Sandy and Jomonica from a storage unit. It contained all of Price’s possession before he passed.
Including a holster containing handcuffs and bullets from a .38 special. In addition to being a barrel house piano player and recording artist, Price had a variety of other professions/jobs, such as: record label owner, stage and film actor, crime scene photographer, restaurant owner, and security guard.
Instead of keeping the bullets, I took them to RUPD for proper disposal. Thanks to David Anderson for assistance.
Forgive the crazy reflections from the protective glass.
Donors have recently given us two Houston-specific books, which we’ll be adding to our rare books collection. The first is Exploring Space City!: Houston’s Historic Underground Newspaper edited by Thorne Dreyer, Alice Embree, Cam Duncan, and Sherwood Bishop. The book re-prints notable articles, interviews, photography, art, and ads from Space City!, which ran from 1969-1972.
The other Houston book is Live on Lovett Blvd.: Portraits of Musical Guests at KPFT Radio, 2010-2018 by David Britton. The book documents the talent that has graced the radio station’s, now former (or soon to be former), funky house on Lovett Blvd.
We recently updated our exhibits around the library. One which is located in the metal hallway, in the front cases near the main entrance, and the 3rd floor next to the Kyle Morrow Room is in conjunction with Archives of the Impossible conference. If you want to read more about the archives, Wired published an article about Jacques Vallée and his papers.
Inside the Woodson is an example of Covid-related art that has been donated.