Here is a small selection of our baseball caps.
Here is a small selection of our baseball caps.
Two more collections are available for research from the Houston Folk Music Archive.
In the late 1960s, Bill and Lucille Cade formed a folk duo. Over the next several years, they performed throughout the region. They played in Houston venues, such as Anderson Fair Retail Restaurant, the UH Coffee House, and the Wooden Nickel Club, as well the college ciruit in and out of the state. They also performed at Kerrville Folk Festival in 1974 with their young baby in tow.
Around 1976, Bill and Lucille Cade broke up. Later on, Lucille, now Borella, began performing with her husband Larry at Anderson Fair in 1979 under the name Larry & Lucille.
While no longer actively performing, Lucille Borella has stayed a member of the folk community. She and her husband support the Dripping Springs Songwriters Festival.
David Roland Rodriguez (1952-2015) was a Houston-born folk musician and lawyer. At the age of two, he contracted polio. Because of his decreased mobility, his parents bought him a guitar. Throughout his teens, he played in a variety of musical groups including a rock band, a folk group, and an avant garde ensemble as a pianist. In the early to mid 1970s, he honed his craft in Houston’s folk venues.
After relocating to Austin in the late 1970s, Rodriguez graduated from the University of Texas Law School in 1981. He practiced law in Austin into the 1980s, focusing on criminal law and working with the Austin Arts Commission. While he maintained his music career in the early 1980s, he began to focus exclusively on his law practice in 1984. He even mounted an unsuccessful bid for public office in 1990.
At the beginning of the 1990s, Rodriguez began focusing more attention on music. Local Austin music magazine “Third Coast Music” voted him Best Texas Songwriter for 1992, 1993. and 1994.
In 1994, he moved to the Netherlands to play music full time. While abroad, fellow musician and daughter, Carrie Rodriguez would play fiddle with him on occassion. He had a vibrant career overseas and released a number of albums. David Rodriguez died at his home in Dordrecht, Holland, on October 26th 2015.
His most widely covered song “The Ballad Of The Snow Leopard And The Tanqueray Cowboy” was recorded by Lyle Lovett, Melissa Greener, and many others.
Rodriguez came from a musical family, which includes his aunt singer and actress Eva Garza, his brother singer-songwriter Philip Rodriguez, and his sister singer Leti Garza.
Inside this fancy kaleidoscope is the Rice seal and perhaps other Rice-specific items, though it’s hard to tell. Honestly, we don’t have a story about why there’s a Rice branded kaleidoscope or who Van Cort is.
We thought we would instead give you a view of the images inside.
Over the past few weeks, we’ve embedded metadata in all of our WAV and MP3 files. Now, we’re moving on to the next steps.
First, we split up the files into two groups: what can go online and what can only be listened to in our reading, otherwise known as nearline.
Second, we’re currently working on addressing the needs of these two groups. For the online files, we are creating a massive Excel document that will hold all of the Dublin Core metadata that our institutional repository will need. For nearline, we are following our standard preservation procedures for handling digital files, which in this case is creating an AIP. This part of the process will take a few weeks and lots of patience.
After the second step is complete, we’ll be moving on to uploading all of the online files to the institutional repository (scholarship.rice.edu). It will be quite exciting.
This MOB wore denim vests and hats during the 1970s. Here are the clothes in action.
If you know the exact years the MOB sported this denim, we would love to know.
Images from: “MOB tuba players riding bikes, Rice University.” (1976) Rice University: http://hdl.handle.net/1911/75352 and “MOB with denim caps, Rice University.” (1981) Rice University: http://hdl.handle.net/1911/71438.
In March 1968, Charles Szalkowski and Beth Ramey ran for cheerleader. Here are their campaign signs and a list of the other candidates.
KPFT has been in the news lately with a staff shake-up. While the KTRU archives recount the KPFT Pacifica strike dating from 1971, today we’d like to highlight the news reports surrounding the KPFT bombing by the KKK in 1970 and its aftermath. What follows is a series of news accounts from KTRU, usually featuring KPFT’s station manager Larry Lee, which document the aftermath, the Houston Police Department’s response, as well as the role of the FBI.
We recently got in a Rice Food Service branded frisbee. It is probably from the 1980s. Did you ever play with one of these?
NOTE: No frisbees were thrown during the dramatic recreation above.
Last week all of the KTRU files finished their next phase of transformation. Both the master files (WAV) and the access files (MP3) have embedded metadata. While the metadata that each format accepts varies, each file has a title, date, and other relevant information within the file.
For example, if you play a music CD on your computer, embedded metadata tells the computer the name, artist, and duration for each song file. The same is true for KTRU’s digital files, but the WAV files contain a bit more information like detailed descriptions.
How did we do it? First, we used an open source software called BWF MetaEdit for embedding information into the WAVs. Our metadata coordinator, Scott Carlson created some Excel spreadsheets that helped make the embedding process easier and more automated.
For MP3s, we used a Python script that Scott wrote. He was unable to find a reliable open source software to write metadata to MP3s, so he created his own. It also helped automate the process. If any of this doesn’t make sense, there was a lot of copying and pasting of information involved.
Why do this? If we didn’t embed metadata, the files would have no information beyond a the file name. Embedding metadata ensures that 10 years down the line, the file can tell its story.
What’s next? All of the WAVs and MP3s will be sorted into what can go online and what cannot go online, but will be nearline (can only be listened to in the reading room). After that, we will need to use our old metadata and create some new metadata to prepare items to go in the institutional repository (scholarship.rice.edu).
As a way to whip ourselves into shape, we’re scanning all of the barcodes on our more than 36,000 books.
We want to make sure that all of our books:
While the work has been a little slow, we’re moving along at a pretty good clip. We’ve also had a lot of help from Access Services.