In case you haven’t seen it, there are quite a few articles about the Woodson’s various projects and collection in the most recent issue of News from Fondren. They include information on the Contemporary Arts Museum Houston (CAMH) archive, the Reginald Moore Convict Leasing research collection, the Shepherd School digitization project, the Houston Folk Music Archive’s Homecoming concert, and the Wilson Collection of Historical Cartography and Geography.
We hope everyone had a nice break. We’re back and ready for researchers, if you’re able to drag yourself in. If you’d rather stay at home, we’ve got you covered.
Our hardworking student archivist, Trevor Egerton created a new online exhibit entitled: A Soldier’s Story: WWI Letters and Diaries of Paul B. Hendrickson
It tells the story of Paul B. Hendrickson and includes an interactive map about his time here in Houston and in Europe. We hope you enjoy it.
The Houston Folk Music Archive has a couple of new oral histories that have been indexed and are ready for viewing.
The second is from Houston folk band Wheatfield. They talk about the band’s formation, becoming a regional powerhouse band, their lives post-Wheatfield, and the reformation of the band.
If you are interested in watching more oral histories about Houston’s folk music scene, you can find more here.
While the Rice Owls football team will not be playing Texas A&M this season, we can reflect on seasons past when hating Aggies was a favorite Rice student pastime. This undated voodoo doll exemplifies that hatred.
The activism highlighted in our collection entitled the Reginald Moore Sugar Land Convict Leasing System Research Collection took center stage last week. Articles in/on the Washington Post, CNN, the Houston Chronicle, and many others detail the discovery of 95 bodies believed to be former slaves and black prisoners leased to work on local sugar plantations.
The Woodson now has a new addition to our Story Maps. We’ve used Esri’s ArcGIS software in conjunction with their Story Map application to create a map that follows the growth and decline of Houston’s folk music scene. Included are photographs of venues, posters, video clips of people describing the places, and some live audio.
In honor of Pride Month, this a section from a series of panels made by the Rice community to commemorate the display of the The Names Project AIDS Memorial Quilt, which visited campus. The Community Involvement Center, the Wellness Center, and the Office of Multicultural Affairs spearheaded the display in 2001.
Here is a photograph of the AIDS Memorial Quilt at the Rice Memorial Center around February 15, 2002.
The AIDS Memorial Quilt still goes out on display and is searchable by name. In this vein, the oH Project collection, containing oral histories of HIV/AIDS in Houston, Harris County, and Southeast Texas, has a large number of interview transcripts online. If you want to learn more from AIDS survivors and caretakers in Houston, it is a wonderful resource.
A recent university archival collection yielded a large amount of LPs. Sadly, many of these are multiple copies. We have kept two for ourselves and will eventually digitize them. We’d like to offer the rest to you for free. Please email email@example.com if you are interested.
In other news, our own Amanda Focke won the Society of Southwest Archivists Distinguished Service Award. She is a long serving member, who has been active on a variety of committees, served as president, and is currently a board member. Congrats to her on such a well-deserved honor.
Over the past few months, we’ve processed a number of collections for the archive. Here’s a run down of the new collections.
This collection contains digitized video, correspondence, and a master list of performers including performance dates.
The Little Ol’ Show That Comes on After Monty Python aired on KPRC from 1975 to 1980. It was the brainchild of Bruce Bryant, whose friend and long term production partner, Jim Barham, provided film shorts. The show aired on Saturday nights between Monty Python and the station’s sign-off.
The show featured film shorts, comedy bits, clips from classic films, and in-studio performances. The performers include but are not limited to Townes Van Zandt, Wheatfield, Hoyt Axton, Vince Bell, Ry Cooder, Frank Davis, Richard Dobson, George Ensle, Danny Everitt, Blaze Foley, Nanci Griffith, Eric Taylor, Emmy Lou Harris, Lucinda Williams, Don McLean, Willie Nelson, Jimmy Reed, Shake Russell, Dana Cooper, Doug Sahm, Don Sanders, and John Vandiver.
This collection contains news clippings, photographs, audio, video, and memorabilia collected or created by Bruce Bryant. The video highlights work by Shake Russell, Dana Cooper, John Vandiver, and Don Sanders.
Born in Austin on November 10, 1942, Bruce Bryant moved to Houston in 1965 to work for KPRC. During his time with the local NBC affiliate, he directed the Larry Kane Show in 1971. He went on to create and direct “The Little Ol’ Show That Comes on After Monty Python,” which featured a hippie/experimental sensibility and showcased local and regional musicians. This series aired from 1975 to 1980.
He also opened The Sweetheart of Texas Concert Hall and Saloon with Charlie Hargrave in 1974. It showcased regional Texas singer-songwriters, as well as some national acts. The venue closed in 1975.
Bryant eventually went on to direct live events, telethons, TV specials, documentaries on Ramblin’ Jack Elliott and Anderson Fair Retail Restaurant. He now directs opera productions for television and live opera simulcasts.
This collection consists of correspondence, fliers, business records, audio, and digital images charting the life and career of Bianca DeLeon. There is correspondence and audio from songwriter Fred Koller.
Growing up in and around Houston, as a teenager, Bianca DeLeon began performing in local Houston clubs in the late 1960s to early 1970s and became friends with others in the Houston folk music scene including Townes Van Zandt, Guy Clark, and Rex Bell. She moved with Van Zandt to Nashville. Over the next few years, she travelled between Nashville and Santa Cruz, California.
In the 1980s, in Santa Cruz, she formed the band the Mudflaps and started a logging company. After the 1989 earthquake, because of environmental regulations, she stopped logging and set up a fishing business. During this time, she maintained her connection to the Texas music scene continuing her connection to Townes Van Zandt and becoming friends with David Rodriguez.
In the late 1990s, she moved back to Texas and restarted her music career in Austin. She has released five albums, “Outlaws and Lovers” (2001), “Live: From Hell to Helsinki” (2002), “The Long Slow Decline of Carmelita” (2004), “Love, Guns and Money” (2011) and “Dangerous Endeavor.” She tours throughout Texas and overseas.
This collection mainly consists of live recordings of shows at Anderson Fair Retail Restaurant.
Bob Johnston (October 28, 1947 – May 24, 2012) worked as a volunteer at Anderson Fair Retail Restaurants. For almost three decades, he recorded shows at the venue. He helped start Camp Stupid at the Kerrville Folk Festival. Earlier in his life, Johnston attended Rice University in 1965. He went on to serve in the Vietnam War.
About Anderson Fair Retail Restaurant, taken from Wikipedia:
“Anderson Fair is one of the oldest folk and acoustic music venues in continuous operation in the United States. Located in the Montrose area of Houston, TX, it has been called an ‘incubator’ of musical talent for the folk scene, especially during the folk music heyday of the 1960s-1980s. Notable performers who credit Anderson Fair as an important part of their careers include Lyle Lovett, Nanci Griffith, Robert Earl Keen, Lucinda Williams and many more.
Anderson Fair was founded as a restaurant in 1969 by partners Marvin Anderson and Grey Fair. In the early days, patrons would flock to the Fair for a lunchtime meal such as spaghetti or tacos. The club was housed in the Montrose area of Houston which was, at that time, an enclave for artists, free-thinkers, and war protestors. As a result, it was not long before the Fair became a gathering place for musicians and artists from the community to come together and talk politics. By 1973, the crowd that frequented the barn-like building on Grant Street began to turn the lunch club’s main focus towards live music. Gradually, the venue grew into a destination for singer-songwriters who were willing to perform for an attentive, albeit discerning, audience.”
–https://en.wikipedia.org/wiki/Anderson_Fair_Retail_Restaurant, page written by our student archivist Claudia Middleton.
This collection consists of digital audio files and images documenting the Houston folk scene of the 1970s-1980.
Born and raised in Houston, Franci Files began hanging out at Sand Mountain Coffee House in the late 1960s. She befriended members of the community including Guy and Susanna Clark, Townes Van Zandt, Don Sanders, and Vince Bell.
A few years later after graduating from college, she became one of the co-owners of Anderson Fair Retail Restaurant. As one of the crew, she organized and handled food preparation, specifically the spaghetti lunches.
As the 1980s approached, Franci Files married Stephen Jarrard and began to explore her own musical career. She teamed up with her husband as a duo, performed in the band Terry and the Telephones, and lent vocals to Richard Dobson’s second album, “The Big Taste.”
Ready for a change, in the early 1980s, Franci and Stephen Jarrard relocated to the Austin-area. They continued to explore their music. Franci Jarrard started to play the accordion and performed with Richard Dobson when he played in Texas. In the 1990s, Stephen and Franci participated in the strolling trios Europa Trio with Javier Chaparro and Troika with Ann Mesrobian.
This collection consists of photographs, audio, news clippings, and poster/fliers documenting the Houston career of Rich Layton.
Growing up in Houston, Rich Layton fronted a junior high garage band, attended Lightnin’ Hopkins’ concerts at the Jewish Community Center and was heavily influenced by the various musical styles the bayou city had to offer. Ready for another Lone Star music adventure, he headed to Austin for college and earned a degree in Radio, Film and Television from the University of Texas.
While in Austin, he began playing harmonica with then-girlfriend Lucinda Williams. Lu convinced him to move back to Houston to join the burgeoning music scene at Anderson Fair Retail Restaurant in Montrose, where he became the house harmonica player.
In 1979, Rich joined Rock Romano to form “Dr. Rockit,” the city’s legendary rockin’ blues party band. Adding the Sisters of Mercy, the band played regularly in Houston, throughout Texas and along the Gulf Coast in the early to mid 1980s. Throughout this time, he continued to play with other performers in the area and beyond, including Buckwheat Zydeco, Rocky Hill and Alan Haynes. In 1984, he was named one of five Texas Harmonica Tornados by “Buddy Magazine.”
In 1996, Rich moved to Portland and broke into the NW music scene. In 2003, he formed Rich Layton and The Troublemakers. The band has released two albums to date – “Chop Shop Pit Stop” and “Tough Town.”
You can find a complete list of all of the collections in our archive, as well as new oral histories via the Houston Folk Music Archive research guide.